SYDNEY, AUSTRALIA.-Margaret Preston (1875-1963) is one of Australia's most celebrated artists, and is certainly Australia's most famous woman artist. Her cosmopolitan paintings and prints of the 1920s, 30s and 40s epitomise not only one of the most distinctive eras in the history of Australian art, but also one of the country's most aesthetically innovative periods. The Art Gallery of New South Wales is organising the first major retrospective of Margaret Preston's work. In addition to around 100 paintings and 80 prints, the exhibition includes pottery, textiles, illustrative work, photographs and documents.
The curator, Deborah Edwards, and co-curator on the project, conservator Rose Peel, have spent five years locating paintings for this exhibition. Works selected for the exhibition are from museum and private collections from around Australia, as well as from collections in the UK and New Zealand.
Deborah Edwards said: "Margaret Preston was the best known of her generation of Australian artists with her commanding compositions - predominantly still lifes, landscapes and scenes of Sydney. These works have continued to be, over the past 70 years, amongst the most popular of all Australian artist's images".
"During the 1920s and 30s Margaret Preston, with her art, her strong opinions and her colourful life, was a commanding figure in the public domain. Not only a seminal modernist, Preston was the first serious advocate of Aboriginal art. Her promotion and appropriation of Aboriginal art was developed in the context of her conviction that a modern and necessary identity for Australia could only emerge from the inspiration of the art of 'the first Australians', as well as the influence of Asian artistic traditions. Each was of central importance to Preston's work and to her own positioning of Australian art in the modern era," said Deborah Edwards.
Margaret Preston, who was born in Adelaide, was often described as a red-headed firebrand, obstinate, uncompromising, vociferous, passionate about her art and jealous of her various contemporaries, including Thea Proctor at times.
The exhibition is presented as a set of experiences, which relate both to the intimate nature of Margaret Preston's paintings and works on paper, and to a number of thematic and stylistic shifts in her art. Through a series of rooms, the range of Preston's most significant works from the 1890s to the 1950s will be presented in a celebration of one of Australia's most significant artists.
The first comprehensive monograph and a fully illustrated CD-ROM catalogue of Margaret Preston's paintings have been published by the Art Gallery of New South Wales to accompany this exhibition.
