Rarely do three well-known art collections come to the auction block in the same season. Even more rarely does one auction house get to sell then all. Starting Tuesday, Christie's will offer several exceptional works, including a Toulouse-Lautrec painting of a red-haired model, one of the centerpieces of the recent exhibition "Toulouse-Lautrec and Montmartre" at the Art Institute of Chicago; a 1954 Rothko inspired by Matisse's 1911 "Red Studio"; and an abstract de Kooning from 1977 that has had only one owner: the artist's lawyer, Lee V. Eastman. Experts at the auction house are trying not to gloat. They know all too well that memories are short and sellers fickle. Only 18 months ago, Sotheby's was in the limelight when it sold "Boy With a Pipe (The Young Apprentice)," a 1905 painting from Picasso's Rose Period, for $104.1 million, the highest price ever paid for a painting at auction. And six months from now, it could easily be Sotheby's that catches the next big fish. But when the fall auction season opens on Tuesday night - the start of two weeks of back-to-back evening auctions - all eyes will be on Christie's. A combination of longstanding relationships, a strong team of experts and aggressive financing are the reasons. In the next two weeks, Christie's executives expect to sell $300 million to $400 million worth of art. Sotheby's estimates its fall sales will bring in $200 million to $300 million. The season begins with Christie's auction of Impressionist and Modern art on Tuesday, featuring 13 works designated "Property From a Private American Collection." The paintings, drawings and sculptures were bought from leading dealers in the late 1960's and early 70's by the Chicago collectors Bette and Neison Harris. Mr. Harris, an entrepreneur who was a founder of Toni Home Permanent, died in 2001, and Mrs. Harris in July. Now their heirs are selling the art, valued at $48 million to $68 million. The collection will be a crucial test of the Impressionist market. In the last few years, tastes have gravitated more toward Modern and contemporary art, driven in large part by billionaire hedge-fund managers. But some experts say this could be a time when these same traders - sensitive to investment and market trends - will begin to look back and think that prices for the newer art have become inflated. "There are new collectors beginning to aggressively participate in the Impressionist and Modern market," said Guy Bennett, who oversees Christie's evening sales of Impressionist and Modern art. Christie's is taking a gamble. To win the Harris collection, it has given the heirs a guarantee - an undisclosed minimum sum promised to the seller regardless of the outcome of the sale - that is said to be close to $60 million.
The collection's Toulouse-Lautrec work, "The Laundress," carries the highest estimate of works in the sale. Made in 1886-87, when the artist was 23, it depicts Carmen Gaudin, a red-haired model whom the artist painted on a number of occasions, gazing soulfully out an open window. Christie's estimates the painting will bring $20 million to $25 million. Another Impressionist painting from the Harris collection that is receiving a lot of attention from collectors is Pissarro's "Country at Harvest Time, Pontoise" (1873), a balmy landscape of a small town northwest of Paris that is estimated at $4 million to $6 million. Another painting at Christie's that is generating talk is an early Czanne still life, this one from the heirs of Durand-Ruel, the dynasty of Paris dealers. "Apples and Cake," circa 1873 to 1877, is estimated at $3.5 million to $4.5 million. On the cover of the Sotheby's catalog for its sale on Wednesday night is Monet's "Grand Canal" (1908), one of the artist's dreamy Venetian scenes,estimated at $12 million to $16 million. Sotheby's last sold the painting in 1989 for $11.5 million. A later Monet in the sale, from 1918 to 1924,is "The Japanese Footbridge," another classic Impressionist image, estimated at $1.5 million to $2 million. Sotheby's sale that night begins with more Modern art from the estate of Josephine and Walter Buhl Ford II, the automotive heirs. Among the potential stars is Picasso's "Yellow Nude," a 1907 watercolor that was one of the first studies for the artist's groundbreaking "Demoiselles d'Avignon." It is estimated at $3 million to $4 million.
October 2005
