The exhibition is an exceptional event as it represents the first time that the Albertina has lent such a large number of works by the artist abroad: a total of 58 drawings and 27 prints that are normally not on display, only coinciding with temporary exhibitions. They include masterpieces of Dürer’s graphic art, offering the visitor a complete overview of his career, displayed both chronologically and thematically.
Among the works on show are many of the artist’s most famous prints and drawings, such as the Self-portrait at Thirteen, The Hare, Adam and Eve, Melancolia, The Four Horsemen of the Apocalypse, studies for the Saint Jerome in Lisbon, the Antwerp Harbour and the monumental Triumphal Charriot.
The selection of works on view allows for an appreciation of the different areas in which Dürer worked, as well as the outstanding technical mastery evident in his work in a wide variety of techniques. These include silverpoint drawing, pencil, pen, colour watercolour, woodcuts, engravings, and oil painting on panel.
In addition, the exhibition will feature the four paintings in the Prado’s own collection by the artist: Adam and Eve, Self-portrait, and Portrait of an unknown Sitter. Each will play a prominent role within the presentation and argument of the exhibition.